From Roughhouse (Kaya Press)
ON MY HEAD
My first haircut was a flattop. I got it below street level, in a decrepit barbershop my father took me to. Outside, there was a kinetic red-and-white signpost. Inside, there were cast-iron chairs with leather strops hanging from their sides. The whole place smelled like scalps.
The barber used electric clippers on my head. Behind my ears, the clippers made my entire skull vibrate. Then the barber applied paste that made my head look like a bur. When I stroked my scalp, I felt fuzz, until I fingered the tuft in front.
I used a comb on my head, along with a large dose of goop. When I was finished, my head looked like a skillet.
Later, my mother gave me a trim. When she was finished, I looked like I was wearing a helmet that had failed to stop a grazing bullet.
For a long while, I stayed away from barbers of all stripes. My hair grew until it reached my back. I looked like Tonto, but I didn’t call anyone Kimosabe.
One day I saw some boys with Mohawk cuts. But these boys weren’t Mohawks; they weren’t even native Americans. They were just a couple of white boys trying to look like native Americans. Even so, I decided to get a brush of my own.
One night I went into a convenience store, and the cashier asked me, “What are you?”
I’m a boy,” I said, “I guess.”
“Seriously,” the cashier said, “I can’t tell.”
Using a mirror, I hacked my hair with hand shears. When I was done snipping, my face was uncovered, my ears were half-covered, and the back of my head supported a flip.
For my high-school graduation, I didn’t get a haircut. I let my black locks stick out from under my mortarboard hat. On seeing me, one of my teachers said, “That’s our young hair-raiser.”
One time, at a border between countries, a guard looked at my passport and asked, “Who is this? Is this a little girl?”
“It is not time for jokes,” I said in the guard’s language.”
“For me,” the guard said in my language, “it is always time for jokes.”
On another occasion, I walked through an airport and was stopped by two plainclothesmen. “Do you take acid?” they asked. “You look like you do.” They escorted me to a windowless room, where they searched through my pockets and shoes, but they didn’t find anything mind-bending.
I decided to let the hair on my face grow. Nothing sprouted, except for a line of stubble on my upper lip. Even so, my friends started calling me Stash, or Stash Man.
Later, a girlfriend talked me into getting a layered style and a body wave. After I got them, she said, “You look so good I want to have sex with you right now.”
Later still, I was invited to a “clipping party,” where men with short hair were getting their hair cut even shorter by a barber wearing Army fatigues. The sergeant/barber buzzed the clip-ees’ heads with electric shears. A man with a razor hanging from his belt stood nearby. He said his name was Bic. I flipped through a scrapbook of boot-camp photographs, but I didn’t sign up for a haircut.
One time I met a performer whose hair was shaped like a cylinder. The cylinder was about twelve inches high. I spoke to him, but our conversation had nothing to do with appearance. The next time we met, the cylinder was gone and he was wearing a hair net.
These days I go to a cutter who has hair that resembles my own. When he asks me what I want, I say, “I want my hair short in places but long in others. I want it long enough for a ponytail, but I also want to see bare scalp. I want words scored in the stubble. I want to wear ceremonial hair gear. I want to be stopped by cops. I want to be on television. I want groupies. I want a style among the top one hundred. I want to meet relatives. I want to be photographed with family.”